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Find tutorials, the user guide, answers to common questions, and help from the community forum. How do I download and install Photoshop Elements? Use this guide to learn how Photoshop can help you preview, organize, edit and publish multiple creative assets quickly and easily. Start at the.
Download Adobe Photoshop Elements full Version for free – ISORIVER.Warp images, shapes, and paths in Adobe Photoshop
For photos with less extreme problems, a single click produces satisfactory results. If you had applied the Remove A Color Cast adjustment, you would still need to correct the lighting, as the image is dull and underexposed.
The automatic Enhance Color fix takes care of both problems. All the colors in the image are shifted along the spectrum: the red bottle becomes purple, the blue-green glass is warmed to yellow-green, the orange bottle turns red, and the violet-blue reflections in the clear glass are shifted to cyan.
Click Done at the bottom of the Guided Edits panel. The new colors become more vibrant, but the overall contrast is still inadequate. Drag the Shadows slider to 33 to retrieve detail in the dark bottle caps and bases; then set the Midtones to to increase contrast by shifting the tonal spread.
Click Done. Fluorescent back-lighting behind the translucent surface on which the bottles are standing has caused a combination of problems in this photo. Move the eyedropper cursor over the image and click on the translucent background between the bottles to reset the white point; then, click Done. Click the Auto Fix button in the Sharpen Photo pane.
Click Done; then, choose Save As. In such cases, using the Smart Brush to adjust differently lit areas in the image separately is the perfect solution. Sometimes the best way to enhance a photo is to modify just part of the image, or to treat separate areas—such as background and foreground elements—differently, rather than applying an adjustment to the photo overall.
The quickest and easiest way to do this is to paint your adjustments directly onto the image with the Smart Brush tool. The Smart Brush is both a selection tool and an image adjustment tool—as you paint, it creates a selection based on similarities in color and texture, through which your choice of editing preset is applied. Select the un-edited image DSCN Choose the Nature category from the Presets menu at the top of the pup-up menu, and then select the Make Dull Skies Blue preset.
If you prefer, you can hide it as you work, and then show it again as needed by clicking the Tool Options button in the Task bar. As long as the adjustment remains active, your strokes will add to the current adjustment area.
Drag the Layers panel out of the Panel Bin by its name tab, and then hide the Panel bin by un-checking its name in the Window menu.
Colored markers—Smart Brush adjustment pins—mark the points in the photo where you started dragging with the Smart Brush for each adjustment. Each Smart Brush edit occupies its own layer, where it remains active and separate from the image itself—so you can add to or subtract from the selection, tweak the effect, or even change which preset is applied, without permanently affecting your original photo.
The adjustment pins will be visible whenever the Smart Brush is active. Open the Smart Brush presets picker by clicking the Blue Skies thumbnail in the tool options pane. Select the Lighten Skin Tones preset from the Portrait category. Press Esc to close the Smart Brush presets picker. Make sure the selection includes hands, elbows, and at least a little of the base of some of the windswept wisps of hair. A new adjustment pin appears on the image; in the Layers panel, a new adjustment layer is added for the Lighten Skin Tones effect.
To the left of its layer mask thumbnail, the new adjustment layer displays a different icon from the Blue Skies effect, indicating that it applies a different type of adjustment through the painted mask.
If you re-apply the same preset, the effects are usually cumulative; if you apply more than one effect to the same image area, their effects are combined. Adjustment layers affect all lower layers in the Layers panel; rearranging the order of different adjustments applied to the same area can alter the combined effect. Watch the sky as you choose Reflected from the gradient Style menu; then, click OK. You can use the adjacent menu to change the blending mode, but for now, leave it set to Color Burn.
Double-click the gradient icon for Blue Skies 2; then, disable the Reverse option. Repeat the process for the layer Lighten Skin Tones 2, at the top of the layers list. This time, choose the Photoshop file format and activate the Layers option so that you can edit your adjustment layers later.
Close the file. Many common file formats involve in-camera processing of the incoming image data that can effectively degrade the quality of the image. In creating a compressed file, data deemed superfluous is discarded; in mapping the spread of captured data to a defined color space, the range of the color information can be narrowed.
In contrast, raw images retain all of the data captured for each and every pixel. Capturing your photos in raw format gives you more flexibility and control when it comes to editing your images. To see an up-to-date list of the camera models and proprietary raw file formats currently supported by Photoshop Elements, visit the Adobe website.
Photoshop Elements opens the image in the Camera Raw window. The moment you open a camera raw file for the first time, the Camera Raw plug-in creates what is sometimes referred to as a sidecar file in the same folder as the raw image file.
Check for updates and download the latest version of the plug-in at www. On the right side of the Camera Raw window is a control panel headed by three tabs: Basic, Detail, and Camera Calibration.
Click the Toggle Full Screen Mode button at the right of the tool bar to switch to full screen mode. You can apply the same settings you used for the last image you worked with, have Photoshop Elements revert to the default Camera Raw profile for your camera by choosing Reset Camera Raw Defaults, or save your own custom settings as the new default for the camera that captured this image.
You could correct the white balance of a photo shot on an overcast day, for example, by choosing the Cloudy preset. Other presets compensate for artificial lighting. The As Shot preset uses the settings recorded by your camera, while the Auto setting recalculates the white balance based on an analysis of the image data.
For many photos, the right preset will produce satisfactory results or at least serve as a basis for manual adjustment. When none of the presets takes your image in the right direction, you can use the White Balance tool to sample a neutral color in the photo, in relation to which Camera Raw will recalculate the white balance.
The ideal target is a light to medium gray that is neither discernibly warm or cool. In our sample photo, the weathered wood is a potential reference, but we can probably be more certain that the steel fencing wire in the background is a neutral gray.
Sample a medium gray from the center of the wire where it crosses a relatively dark area. If you see little effect, click a slightly different point. It may help to look for references such as white paper, clothing, or paint, and then sample a shaded area.
The White Balance is now set to Custom and the image has become cooler. The weathered wood in the background is a more neutral gray and the skin tones are rosier. The eyes also look clearer, having lost the original yellow-orange cast.
For example, although technically in need of correction, you might prefer the original, toowarm cast of our lesson image caused by late afternoon sunlight for its evocative, summery look. Although most often used for fine color correction, the white balance settings can also be applied creatively to achieve surprising and dramatic atmospheric effects.
Reset the Temperature control a little below the edited value of your value may differ, depending on where you clicked to set the white balance either by dragging the slider or typing the value into the text box. Now that the temperature has been adjusted towards blue, the automatically corrected tint of the image appears just a little pink.
On the right, the skin tones look more natural once the Temperature and Tint values have been reduced manually. Exposure adjusts the overall lightness or darkness of an image. For more information, see Create Smart Objects. Determines the spacing of mesh points.
More Points increases precision but requires more processing time; Fewer Points does the opposite. In the image window, click to add pins to areas you want to transform and areas you want to anchor in place. To remove selected pins, press Delete. To remove other individual pins, place the cursor directly over them, and press Alt Windows or Option Mac OS ; when the scissors icon appears, click. Click the Remove All Pins button in the options bar. To select multiple pins, Shift-click them or choose Select All from the context menu.
To rotate the mesh a fixed number of degrees, press Alt Windows or Option Mac OS , and position the cursor near to, but not over the pins. When a circle appears, drag to visually rotate the mesh.
Select a grid size – Default 1×1 , 3×3, 4×4, or 5×5. To add more control grid lines to the warp mesh, choose an option to split the warp. Do any of the following: In the options bar, click any of the Split buttons. Move the pointer within the mesh area and click where you place additional control grid lines.
When you click, additional control points are added to the warp mesh. Do one or more of the following:. If you plan to use the Organizer to catalog photos and assign keywords to them, then reading that section can help you avoid hair-pulling moments. If you had photos stored at Photoshop.
In Elements 12, you can use Revel for many of the things you used Photoshop. Two major differences are that you can access your Revel- stored photos from many different devices, including your smartphone, not just from Elements and your web browser. Also, while you get a certain number of free uploads from Revel currently 50 per month , beyond that you pay a monthly subscription fee. Page 53 has the lowdown on Revel and how to use it. This is the fun part of the program, where you get to adjust, transform, and generally glamorize photos, and where you can create original artwork from scratch with drawing tools and shapes.
For many Elements beginners, Quick Fix Figure ends up being their main workspace. New in Elements 12, you can also add frames, special effects, and textures to your photos here. This is also one of the two places in Elements where you can choose to have a before-and-after view while you work the other is Guided Edit, described next.
Chapter 4 gives you all the details on using Quick Fix. The first time you launch the Editor, you start out in Quick Fix mode. Those are simply two different names for the same thing. This book always calls it Quick Fix mode. It provides step-by-step walkthroughs of popular projects such as cropping photos and removing blemishes; see page 21 later in this chapter for an intro.
Guided Edit also hosts some fun special effects and workflows for more advanced users see page Most of the Quick Fix commands are also available via menus in the Expert mode window shown in Figure This screenshot shows what you see on first entering the Custom Workspace, explained in the next section page You can customize your workspace quite a bit from this starting point. Use the Quick, Guided, and Expert tabs at the top of the Elements window to switch modes.
To get rid of the lock and free up your image for Organizer projects, go back to the Editor and close the photo there. Understanding Expert Mode Once you click over to Expert mode click the Expert tab at the top of the Editor to get there , you may be pretty puzzled as to how to proceed.
On the left side of the screen is a double-columned toolbox. When you open a photo, a small thumbnail version of it appears in the area near the bottom of the window. This area is called the Photo Bin. The buttons at the bottom right circled let you switch from one panel to another. You can see only one panel at a time, which is one reason why most folks prefer to use the Custom Workspace shown in Figure At the bottom right of the screen are a series of buttons labeled Layers, Effects, Graphics, Favorites, and More.
To switch to another panel, you click its button at the bottom of the screen and the previous panel disappears. But the Editor has many more panels than just those four. You can close the group by clicking the little X at its top right in Windows or top left on a Mac. All choosing the name does is make sure that the panel you want is the front one when the grouped panels appear.
You can try running Expert mode with the Basic Workspace, but odds are that in about 10 minutes, this setup will have you raving and beating your head on your desk. Fortunately, Elements offers a much better way to use the Editor: the Custom Workspace. The secret is a well-hidden menu command that restores Elements to its full usefulness. To achieve this transformation, just head to the bottom right of the Elements window, click the tiny arrow on the right side of the More button, and then choose Custom Workspace.
You just regained an enormous amount of freedom to set things up the way you want them. In the Custom Workspace you can tear individual panels out of the panel group, put panels into the Panel Bin and take them out , make your own panel groups, and so on. Switch to the Custom Workspace right now. You can rearrange things quite a bit from where Adobe starts you out. To do that, just press the Tab key; to bring everything back into view, press Tab again.
This also works in the Basic Workspace. When you first open a photo, you see the Photo Bin Figure in this area, which displays all your open files. But if you click a tool in the toolbox on the left side of the Editor window, the Photo Bin gets replaced with settings for that particular tool, called logically enough the Tool Options.
There are buttons at the bottom left of the main Editor window that let you switch back and forth between the Photo Bin and Tool Options, so you can always switch to the one you want. However, you can hide it by clicking the down-pointing arrow at the right end of the light-gray bar just above it.
You might face this issue when Internet connection is lost while downloading an online template. To resolve this issue, see Error downloading photo collage templates. Get Started Learn the basics and start your first project. User Guide Get quick answers and step-by-step instructions. Tutorials Find tutorials from novice to expert to help you expand your skills. How do I download and install Photoshop Elements?
Why won’t Photoshop Elements install? Can I download a trial copy of Photoshop Elements? How do I retrieve my Adobe ID or password? Can I install Photoshop Elements on another computer? Account management. How can I change my password? My trial expires soon. How do I convert it? How do I print a receipt or invoice? How do I return or exchange an Adobe order? Fixing photos. How do I resize a photo?
How do I fix red or glowing eyes after using a flash? How do I sharpen an image? How do I rotate my photo? How do I fix the colors in my photo?